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This composition, which could not be further from the idea of “organized” and which succumbed to my goal of achieving dissonance, has an interesting backstory. I found a 1905 recording of Edvard Grieg’s “Hall of the Mountain King” and the “Peer Gynt Suite”. From Grieg’s masterful, heroic building blocks, I had a dream, an inspiration, to add a random beat: a helicopter and its’ whump-whump’ blades as I sent it to soar through the hills and valleys of the Mountain King.

Sounds include:
A 1905 recording of Peer Gynt Suite, No.1 by Arthur Pryor’s Band; a helicopter revving-up and subsequently landing in a field; drums played in a “Motown style”; and “an uplifting piece of music with heroic mood”.

Credit:
Thanks to Freesound uploaders dr-elvis01, ajubamusic, soundflakes, and to the public domain recording of Arthur Pryor’s Band’s 1905 recording of “Peer Gynt Suite, No.1”

Photo and liner notes © 2020 Sam Bissell

from Experiments With Resonance, released August 7, 2020

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from Soundtracks for the Cinema of Your Mind, released December 18, 2020

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Versatyle Villain Nashville, Tennessee

Inspired by experimental music of the 1930s & 1940s, I am a composer who gets your juices flowing: I splice, chop, flip, stretch, slow down, and speed up music in "Soundtracks for Unknown Films and Shorts". Here, you may find a melange of mellow ambience through a space-wild, spine-tingling galactic fantasy. ... more

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