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Walking With Spirit

by Versatyle Villain

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about

Within the concept of this song are the words from Walt Whitman’s “Song of Myself” (1855), a smallish part of his much longer “Leaves of Grass”, his homage to the country he loved, America, and every fascination he came across which inspired him to write and write profusely! He depicts his love of all life, his reverence not for religion but of spirituality, and the earth upon which he walked and the grasses in which he dozed.
Here, I chose several stanzas which show Whitman aging from a young man to his pre-conceived death, nearly forty years later, but written before he even turned 38. His homily to his aged self is simply called “Verse 52”, an oft-used stanza at memorials and celebrations of life: In the end, we all move on to somewhere and he expressed it well in this verse.

This song has a twofold reason for being here:
1) It is a final presentation for a class I took through MileHi Church in Lakewood, CO. MileHi is a non-denominational church which invites people of all faiths and spiritualities to join. If you are looking for a great church, which invites everyone, I highly recommend it for whatever faith you follow. I, for one, follow Shamanism, and they welcomed me with open arms.
2) The other reason why this song is here is that it will appear on an upcoming album from me this summer, dedicated to my brother, who passed away in April 2022. Titled "Summer of 1963: A Celebration of Nat Bissell", it highlights some of the music which changed my life for the better and forever.

When I heard that we had to do a Final Project for our class, my thoughts went straight to my music: I chose to write a song for my project because it gave me a place to shine in a place where many don’t even know I am composing soundtracks for unknown films on my computer at home and presented online here at Bandcamp.
Walt Whitman has been a favorite poet of mine since I was a teenager studying his poetry in class in preparatory school, in the late '60s. Whitman was both praised and vilified for the things he wrote about and *how* he wrote about them. He didn’t have much of a following while he was alive but it certainly changed a few years after he passed and when the 1800s became the 1900s and still popular to this day 2 centuries later.

The only poems for which Whitman became a national emblem while he was alive were his 4 poems about the life and loss of President Abraham Lincoln, of which the most famous is “O, Captain, My Captain”, an elegy written in 1865. It was first published in Sequel to Drum-Taps (1865), a collection of Whitman’s poems inspired by the events of the American Civil War: it captured the mood of a nation in mourning and has remained one of Whitman’s best-loved and most-quoted poems.

By the time I had finished writing "Walking With Spirit" (a play on words, BTW), it dawned on me that I had written not only a song for my class at MileHi but I had used poetry my brother, Nat, was familiar with and also loved greatly. So, the fact that it will be on the album dedicated to him is a perfect fit!

lyrics

Excerpts from "Song of Myself" by Walt Whitman (1855) used in this song:

I celebrate myself, and sing myself,
And what I assume you shall assume,
For every atom belonging to me as good belongs to you.

I loafe and invite my soul,
I lean and loafe at my ease observing a spear of summer grass.
My tongue, every atom of my blood, form’d from this soil, this air,
Born here of parents born here from parents the same, and their parents the same,
I, now thirty-seven years old in perfect health begin,
Hoping to cease not till death.

What is a man anyhow? what am I? what are you?
All I mark as my own you shall offset it with your own,
Else it were time lost listening to me.
Why should I pray? why should I venerate and be ceremonious?
Having pried through the strata, analyzed to a hair, counsel’d with doctors and calculated close,
I find no sweeter fat than sticks to my own bones.

In all people I see myself, none more and not one a barley-corn less,
And the good or bad I say of myself I say of them.
I know I am solid and sound,
To me the converging objects of the universe perpetually flow,
All are written to me, and I must get what the writing means.
I know I am deathless,
I know this orbit of mine cannot be swept by a carpenter’s compass,
I know I shall not pass like a child’s carlacue cut with a burnt stick at night.

I exist as I am, that is enough,
If no other in the world be aware I sit content,
And if each and all be aware I sit content.

I am the poet of the Body and I am the poet of the Soul,
The pleasures of heaven are with me and the pains of hell are with me,
The first I graft and increase upon myself, the latter I translate into a new tongue.

I am he that walks with the tender and growing night,
I call to the earth and sea half-held by the night.

Smile O voluptuous cool-breath’d earth!
Earth of the slumbering and liquid trees!
Earth of departed sunset—earth of the mountains misty-topt!
Earth of the vitreous pour of the full moon just tinged with blue!
Earth of shine and dark mottling the tide of the river!
Earth of the limpid gray of clouds brighter and clearer for my sake!
Far-swooping elbow’d earth—rich apple-blossom’d earth!
Smile, for your lover comes.


The spotted hawk swoops by and accuses me—he complains of my gab and my loitering
I too am not a bit tamed—I too am untranslatable;
I sound my barbaric yawp over the roofs of the world.

The last scud of day holds back for me;
It flings my likeness after the rest, and true as any, on the shadow’d wilds;
It coaxes me to the vapor and the dusk.

I depart as air—I shake my white locks at the runaway sun;
I effuse my flesh in eddies, and drift it in lacy jags.

I bequeathe myself to the dirt, to grow from the grass I love;
If you want me again, look for me under your boot-soles.

You will hardly know who I am, or what I mean;
But I shall be good health to you nevertheless,
And filter and fibre your blood.

Failing to fetch me at first, keep encouraged;
Missing me one place, search another;
I stop somewhere, waiting for you.

credits

released March 3, 2023
I'd like to thank the folks over at Freesound for their samples and music, including dobroide, msfx, zantzant, and headphaze. Also included are tracks of public domain sounds, including walking in leaves and "howling blizzard and wind". An unfinished piece of music I have written plays a prominent source in the sound bed of the song, called "Close Your Eyes", recorded in 2021.
I would also like to thank my friend, Rick Gydesen, for the voice-over of excerpts from Walt Whitman's "Song of Myself" (1855).
Last but not least, I thank LitCharts for some (not all) of the historical notes on Whitman.

Photograph: Thunderhead Mothership, ©Sam Bissell 2007, North Pueblo, CO, looking west-southwest.

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Versatyle Villain Nashville, Tennessee

Inspired by experimental music of the 1930s & 1940s, I am a composer who gets your juices flowing: I splice, chop, flip, stretch, slow down, and speed up music in "Soundtracks for Unknown Films and Shorts". Here, you may find a melange of mellow ambience through a space-wild, spine-tingling galactic fantasy. ... more

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